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Between and Mortarboard

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This etching has a grey and white all-over grid pattern. Thicker, light grey lines make up the main grid and individual squares from this pattern are broken into smaller quadrants of small white rectangles. The print uses lighter tones towards the center and outer corners of the work. Darker grey tones are used between these areas. The work is printed on ivory wove paper. The print is signed, dated, and numbered (l.r.) "Longo 70 4/45" in pencil. 
Vincent Longo (American (North American))
Frontal
1970
Gift of The Drawing and Print Club, Founders Society Detroit Institute of Arts
1971/1.191
Olitski has covered nearly the entire canvas in the same grey acrylic using a spray gun.  On the right side of the canvas, there is a group of vertical lines in red, blue, and white. 
Jules Olitski (American (North American))
Absalom Passage—18
1973
Purchase made possible by the generosity of Dr. and Mrs. Joseph A. Gosman
1973/2.82
This abstract color lithograph is made up of swirling lines and patterns of white, black, orange, pink and green inks. These forms make up an all-over image and appear similar to splatters or drips of ink. The print is signed and dated (l.r.) "Tobey 1970" and editioned (l.l.) "19/200" in pencil.
Mark Tobey (American (North American))
October
1970
Museum Purchase
1973/1.806
A bust portrait of a woman wearing a patterned dress, posed in front of a striped wall. She smiles and looks into the camera.
Mike Disfarmer (American (North American))
Carey Holmes, Weldon Walley's Mother
1935 – 1945
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.331
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